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31.1 Winter/Spring 2019
2018 Gulf Coast Prize
Rules of Engagement
by Mi-Kyung Shin (Fiction Winner)
Church Board Interrogations
by Josh Tvrdy (Poetry Winner)
Blessed Be the Longing that Brought You Here
by Jessie van Eerden (Nonfiction Winner)
Fiction
All at Sea
by Thomas Dodson
Mick's Street
by Kate Wisel
Translations, from the Japanese
by Sacha Idell
Clambering Over Such Rocks
by JoAnna Novak
Carraízo
by Jaquira Díaz
Watch Out, the World’s Behind You
by Megan Giddings
Poetry
Waste Recovery
by Emily Van Kley
Limited Use
by Heather Christle
Drag
by Sophia Holtz
Good Husband
by Rachel Eliza Griffiths
Dad Jokes
by Amorak Huey
How Can Black People Write About Flowers at a Time Like This
by Hanif Abdurraqib
Poet Wrestling with Anything She’d Do for Love
by Rosebud Ben-Oni
Fog
by Corinna McClanahan Schroeder
Letter in the Time of Junkmail
by Erika Meitner
Notorious Rain
by Kenji C. Liu
The Ten-Year Plan
by Nick Greer
The Hardest Part of the Human Body
by Tiana Clark
How Judas Died
by Gabrielle Bates
Memory Loss
by Mira Rosenthal
In the Bones
by Ryler Dustin
Marshmallow
by Saddiq Dzukogi
General Memorial Hospital and Clinic – FAQs
by Derek Robbins
Nonfiction
An Excerpt from Dead Girls
by Selva Almada transl. by Samuel Rutter
Momma’s Boy
by Victor Yang
House of Spies
by Katherine Evans
At the Shiva
by Helen Betya Rubinstein
Art
Fibrous, Faceless Figures: Symbology of Hair in the Work of Julie Curtiss
by Patricia Restrepo
Glorious Site of Tremendous Importance
by Josh Pazda
What is a Screen, What Does It Do?
by Alan Ruiz
Notes on Camp: An Interview with Cary Leibowitz
by Katharine Bowdoin Barthelme
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